Selected Criticism and Ficto-Criticism
“All the frozen words keep until the spring, and then, in green and verdant energy, they thaw, and their cacophonous sound is the urgent moment of the frozen tongue, beyond writing and nation, beyond nativity, beyond patriarchy. Listen: it is coming, the wonderful and unbridled tongue of women.”
A probing exploration of “the west, the kingdom of the male virgin,” and the often frigid literature and literary discourse inspired by it, A Frozen Tongue interrogates the confines of Canadian literature with the same insatiable curiosity that’s driven so many to sacrifice a moment’s speech for the satisfaction of tongue on gelid metal. A Frozen Tongue is unapologetic in its polemic, cutting through the status quo with a sharpness befitting the bite of a prairie winter. Though the book is named for a speechless moment, it is filled with rich dialogue on place, nation, gender, colony, erasure, desire, and the complications of communication for those who have been written into silence in the Canadian mythos and the Classical stories that preceded it. Witty, reflective, and unrelenting, this is required reading for anyone interested in the modern history of Canadian literature and its accompanying feminist conversations.